Infinite Color is an answer to a problem I've had for over 10 years. How can I make intricate and advanced color grading accessible to all, fun to use, fast to create, and easy to navigate? How can I help people steer every image to the destination that is truly influenced by their own personal preferences and brings out the photo's utmost potential? How can I connect the colors creatives want out of their image and easily bring it to life?
Infinite Color is an answer to a problem I've had for over 10 years. How can I make intricate and advanced color grading accessible to all, fun to use, fast to create, and easy to navigate? How can I help people steer every image to the destination that is truly influenced by their own personal preferences and brings out the photo's utmost potential? How can I connect the colors creatives want out of their image and easily bring it to life?
Infinite Color is an answer to a problem I've had for over 10 years. How can I make intricate and advanced color grading accessible to all, fun to use, fast to create, and easy to navigate? How can I help people steer every image to the destination that is truly influenced by their own personal preferences and brings out the photo's utmost potential? How can I connect the colors creatives want out of their image and easily bring it to life?
Infinite Color is an answer to a problem I've had for over 10 years. How can I make intricate and advanced color grading accessible to all, fun to use, fast to create, and easy to navigate? How can I help people steer every image to the destination that is truly influenced by their own personal preferences and brings out the photo's utmost potential? How can I connect the colors creatives want out of their image and easily bring it to life?
Infinite Color is an answer to a problem I've had for over 10 years. How can I make intricate and advanced color grading accessible to all, fun to use, fast to create, and easy to navigate? How can I help people steer every image to the destination that is truly influenced by their own personal preferences and brings out the photo's utmost potential? How can I connect the colors creatives want out of their image and easily bring it to life?
Infinite Color is an answer to a problem I've had for over 10 years. How can I make intricate and advanced color grading accessible to all, fun to use, fast to create, and easy to navigate? How can I help people steer every image to the destination that is truly influenced by their own personal preferences and brings out the photo's utmost potential? How can I connect the colors creatives want out of their image and easily bring it to life?
Infinite Color is an answer to a problem I've had for over 10 years. How can I make intricate and advanced color grading accessible to all, fun to use, fast to create, and easy to navigate? How can I help people steer every image to the destination that is truly influenced by their own personal preferences and brings out the photo's utmost potential? How can I connect the colors creatives want out of their image and easily bring it to life?
- Generate endless professional-quality color grades with just one click
- Make your photos stand out with a distinctive visual style that can be fully customized to your liking
- Explore your image's full potential without accessing multiple menus or adjusting sliders
- Build a library of unique presets for use on multiple images
https://classes.colorgradingcentral.com/courses/color-grading-academy-for-color-finale
Chances are you're either a filmmaker or an editor and you handle all of you're own color grading inside of Final Cut Pro X (the buck stops with you). But you might be feeling frustrated when you're not getting the results that you're looking for. You may feel overwhelmed with the tools in Color Finale or you may even watch a film or project and say to yourself, "Why can't I grade like that?"
English | Video: 1080p | Project files
https://classes.colorgradingcentral.com/courses/color-grading-academy-for-color-finale
Chances are you're either a filmmaker or an editor and you handle all of you're own color grading inside of Final Cut Pro X (the buck stops with you). But you might be feeling frustrated when you're not getting the results that you're looking for. You may feel overwhelmed with the tools in Color Finale or you may even watch a film or project and say to yourself, "Why can't I grade like that?"